Song of the Day: Tonight
May Have To Last Me All My Life, words and music by Donald
Borzage and Johnny
Mercer, is a song I discovered on a 1964 Nancy
Wilson album, called "Today,
Tomorrow, Forever." Where the hell have I been that I never heard
this gem before? Beautiful song, and beautifully delivered by the always
beautiful Nancy,
with some nice guitar accompaniment by John
Gray. Check it out on YouTube.
What a nice way to begin a Vernal
Equinox; after the lousy 2014-2015
winter (with more snow predicted today), the arrival of Spring tonight
can last me all my life, indeed! Allergies
included!
Song of the Day: The
Godfather ("Main Title") [YouTube link], composed by Nino
Rota, is the central musical motif of one of the greatest motion
pictures ever filmed, directed by the incomparable Francis
Ford Coppola, who won an Oscar as
co-writer of the adapted screenplay, with the author of the original novel, Mario
Puzo. It starred Best
Actor-winning Marlon
Brando as Don
Vito Corleone, and a terrific supporting cast, including Al
Pacino, who went on to film two
sequels to this Oscar-winning
Best Picture. Rota received a Grammy for Best
Original Score for a Motion Picture or TV Special, but was ruled
ineligible for the Oscars; that travesty was corrected when he won (with Carmine
Coppola) for his brilliant score to The
Godfather Part II. It's the Ides
of March; but instead of commemorating Julius
Caesar on the famous day of his assassination,
I recommend this film about a few modern-day "Caesars"
in the criminal
pantheon.
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Song of the Day: We
are the World, words and music by Lionel
Richie and Michael
Jackson, was
released on this date in 1985. A quintessential Quincy
Jones production, the song raised millions of dollars to feed the
hungry through USA
for Africa. It brought together performers from every genre of music,
everybody from Ray
Charles, Billy
Joel, and Cyndi
Lauper to Al
Jarreau, Bruce
Springsteen, and Stevie
Wonder. Its melodic hook brought it to #1
on the Billboard Hot
100 for four weeks.
Today, we celebrate the
30th anniversary of an enduring musical collaboration. It
took a lot of work and received four
Grammys: Record
of the Year; Song
of the Year; Best
Music Video, Short Form, and Best
Pop Performance by a Duo or Group with Vocals. Check out the
official video on YouTube.
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Posted to Culture | Music | Remembrance
Song of the Day: The
Sound of Music ("So Long, Farewell"), music by Richard
Rodgers, lyrics by Oscar
Hammerstein II, is heard a couple of times in the 1965
Best Picture. It's a lovely ensemble piece. We get to relish it, and
each of the children's characters, at a Von Trapp party gathering. Later, it is
performed as the finale to the Salzburg Festival, providing the family the means
by which to escape from the Nazis, who are waiting in the wings to force Captain
Von Trapp into naval service for the hated Third Reich. The film sequences
leading up to the family's tense escape from the Nazis gives us just one more
indication of the film's depth. It encapsulates moments of love, hope, betrayal,
and suspense against the backdrop of one of the ugliest periods of
twentieth-century history. In the end, of course, as I conclude my
mini-celebration of the Golden
Anniversary of this cinematic triumph, we are reminded that it is the
liberating sound of music that symbolically vanquishes the forces of evil. Check
out the
version at the party and the
reprise featured in the concert finale [YouTube links].
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Song of the Day: The
Sound of Music ("Edelweiss"), music by Richard
Rodgers, lyrics by Oscar
Hammerstein II, is the one song in this splended film that sounds as
if it is a genuine
folk song. It is sung by Captain von Trapp toward the close of the
film, near the end of a concert sequence that unites the audience through
Austrian cultural solidarity, in the ominous shadows of the Anschluss, the Nazi
annexation of Austria. The Captain is to be forcibly enlisted into the naval
ranks of the Third
Reich. So this song is performed by actor Christopher
Plummer with both poignance and defiance. He nearly loses his voice
as he chokes back tears, but the Von
Trapp Family Singers join him, for they are planning to escape to
freedom at the conclusion of the Salzburg Festival talent competition. Still,
this song, named after the
white flower found in the Austrian Alps, has all the sound of a folk
culture that the Nazis must crush. At the young age of five years old, I
initially resisted seeing this movie that everybody was talking about. Who wants
to go see some silly musical event with a mob? Even then, I was exhibiting an
individualistic interest in history and politics, rather than Broadway show
tunes! But I went to the Highway
Theatre in Brooklyn, grudgingly, and the songs and performances
slowly carressed me. Entertainment morphed into an historical narrative of the
growing Nazi threat, on the precipice of World War II. I was hooked. I've been
in love with this film, and this song, ever since. Check it out on YouTube.
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Song of the Day: The
Sound of Music ("Something Good"), is one of two songs written
exclusively for the 1965
film by Richard
Rodgers, whose collaborator Oscar
Hammerstein II, passed away in 1960. The song provides a sweet
romantic moment between Maria (played
by Julie
Andrews) and the Captain (played
by Christopher
Plummer). Having left the abbey, Maria has opened herself up to
explore a new world, rich with love and possibility. Listen to it on YouTube.
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Posted to Film
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Song of the Day: The
Sound of Music ("Do-Re-Mi"), music by Richard
Rodgers, lyrics by Oscar
Hammerstein II, truly "start[s] at the very beginning," as Maria
teaches the basic building blocks of music to the Von Trapp kids in the
wonderful 1965 film. Check out the full version of this delightful
song from the beloved film on YouTube.
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Posted to Film
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Song of the Day: The
Sound of Music ("I Have Confidence"), music and lyrics by Richard
Rodgers, was written exclusively for the 1965
Best Picture Oscar winner, "The
Sound of Music," a film that was released 50 years ago on this date. Oscar
Hammerstein II had provided the lyrics for the original 1959
Broadway musical (it
was the final Rodgers and Hammerstein collaboration), which tied
with Fiorello! for
Best Musical at the 14th
Annual Tony Awards. Hammerstein
had passed away in 1960, five years before the debut of the
celebrated film version. Many songs from this musical have become part of the
Great American Songbook, and I have already included several in "My Favorite
Songs," the classic "My
FavoriteThings" (especially this
terrific jazz version by my brother Carl
Barry, a superb jazz guitarist, with my scorching sister-in-law,
vocalist Joanne
Barry), the inspirational" Climb
Ev'ry Mountain" and the
title song. Three songs from the Broadway production: "An
Ordinary Couple" (featuring the Tony Award-winning Leading Actress of
that year Mary
Martin and Theodore
Bikel), "How
Can Love Survive?" and "No
Way to Stop It" were cut from the film version, while two were added,
including this wonderful song, delivered by the incomparable Julie
Andrews as she makes her way to the Von
Trapp household from the convent, where her desire to be a nun is
still-born, once she falls in love with Captain
Von Trapp, played in the film by Christopher
Plummer. The audience gave a much-deserved standing ovation to Lady
Gaga's tribute to the Golden Anniversary of "The Sound of Music" on this year's
Oscar telecast, as did Andrews, who was brought on stage by Gaga.
Over the next few days, I'll be featuring songs from the film, one
of my favorite musicals of all time. Check out the song from the
soundtrack album.
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Posted to Film
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