Song of the Day #1233
Song of the Day: Star
Trek IV: The Voyage Home ("Main Title") [YouTube link], composed by Leonard
Rosenman who was nominated for Best
Original Score for this 1986
film. This theme takes its first cue from the original television
theme, as provided by composer Alexander
Courage, and then takes us back to old civilizations (1980s America)
in search of the extinct species of humpback whales, whose calls will reply to
an alien signal that threatens life as we know it. I don't think there is a more
joyous, more enduring "Star
Trek" film in the whole film franchise, and some of the credit rests
on the great shoulders of Leonard
Nimoy, whose Mr.
Spock has become an institution of Americana. Sadly, Nimoy passed
away today, but Spock will
go on and on: Live
Long and Prosper, indeed.
Posted by chris at 09:19 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music | Remembrance
The Legacy of Nathaniel Branden: Memorial and a JARS Call for Papers
Today, the Atlas Society, John and Danis Fickewirth, and the family of Nathaniel
Branden are sponsoring a memorial gathering to honor Branden's life and
achievements. Having passed
away in December 2014, Nathaniel Branden will be honored at Ebell of
Los Angeles (743 S Lucerne Blvd., Los Angeles, CA 90005) from 1:00 PM to 4:00 PM
(PST). Through an arrangement with my friend, Duncan Scott, a wonderful film and
television writer, director, and producer, the memorial will be streamed live here.
After the streaming, a video of the service will be provided for viewing some
days later. I will provide a postscript to this blog entry as soon as the video
link is made available.
Today, I would like to announce that The
Journal of Ayn Rand Studies has issued a Call for Papers for a
forthcoming symposium that will assess the legacy and work of Nathaniel Branden.
I would like to mention that this symposium has been long-planned; it was, in
fact, in the planning stages while Nathaniel was still with us, and he was aware
that the journal was working toward a discussion of his legacy. I know that he
and his wife, Leigh, were enthusiastic about our proposal. We already have
several internationally known scholars on board. I look forward to seeing a
discussion that will honor the journal's commitment to fostering scholarly
dialogue through a respectful interdisciplinary exchange of ideas, drawn from a
variety of interpretive and critical perspectives.
Anyone who would like to submit proposals for contributions to the symposium,
should write to me at chris DOT sciabarra AT nyu DOT edu. Further details will
be provided in my introduction to the next issue of the journal, which will be
in the hands of subscribers in July 2015 (Volume 15, No. 1).
Unable to attend today's memorial, I am there in spirit, and express my
sympathies to all of those who grieve the passing of this path-breaking father
of the self-esteem movement in psychology, and who celebrate his many
accomplishments. Among these accomplishments, he was the first person to
systematize Ayn Rand's philosophy, and to point toward those benefits and
hazards of orthodoxy, to which he himself had contributed in the early days of
the Objectivist movement. In my view, his post-Randian years include writings
that are an astonishing monument to the theoretical and practical tasks required
to honor the self and to live the good life.
More than this, and quite apart from the forthcoming JARS symposium, I just wish
to say that Nathaniel was a loyal and dear friend to the end, and I remain
deeply saddened by his passing. Fortunately, we have a solid body of scholarship
left behind with which to grapple. I look forward to the work that emerges from
this scholarly adventure.
Postscript (5 March 2015): The video of the Memorial Service for Nathaniel
Branden can now be viewed in its entirety at
this link. Thank you to Leigh Branden for providing me with this
link.
Posted by chris at 12:41 AM | Permalink |
Posted to Periodicals | Rand
Studies | Remembrance
Song of the Day #1232
Song of the Day: Sunday
in New York ("Taxi") [YouTube link], composed by Peter
Nero, is another jazzy cue from the 1963
film, from whose soundtrack we began this
year's February Film Music Tribute. We close this year's film music salute, and
look forward to seeing this
evening who will join the ranks of winners in Oscar music history. So
on this "Sunday in New York," our eyes (and ears) turn toward Hollywood.
Till next year...
Posted by chris at 12:36 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1231
Song of the Day: The
Charge of the Light Brigade ("The Charge") [Screen Archives
Entertainment mp3 link], written by the legendary Golden Age film score
composer Max
Steiner, captures the excitement of the climactic scene in this 1936
film, starring the swashbuckling Errol
Flynn. This is one of the great Oscar-nominated soundtracks in
cinema history. Check it out as well on YouTube (as
conducted by William
Stromberg).
Posted by chris at 12:24 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1230
Song of the Day: Harry
Potter and the Prisoner of Azkaban ("Mischief Managed!") [YouTube
link], composed by John
Williams, is a grand suite from the
2004 third installment of the eight films that make up the
most successful film franchise in cinema history.
Posted by chris at 04:07 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1229
Song of the Day: Harry
Potter and the Chamber of Secrets ("Harry's Wondrous World") [YouTube
link], composed by John
Williams, is a truly wondrous exploration of the main
themes that are heard in this 2002
film, second in the brilliant fantasy series based on the books of J.
K. Rowling.
Posted by chris at 10:42 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1228
Song of the Day: Dante's
Peak ("Main Title") [YouTube link], composed by James Newton Howard, opens this
exciting 1997 Man versus Nature film. The film stars Pierce
Brosnan and Linda
Hamilton and some truly explosive special effects. And any film that
carries the name "Dante"
(the name of our cat) has something special indeed.
Posted by chris at 09:11 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1227
Song of the Day: Ben-Hur
("Overture") [YouTube link] composed by Master
Maestro Miklos Rozsa, encapsulates all the main thematic content of
my favorite soundtrack (and film)
of all time. It's become a tradition on my birthday to pick a cue from this 11-Academy
Award-winning 1959 film (a total equaled by "Titanic"
and the third installment of "Lord
of the Rings," but never surpassed, and neither of those films
received Oscars in any of the acting categories). For TCM fans, the
film airs tonight from 8 pm to midnight (EST, followed by "Psycho").
Coincidence? Divine inspiration? All I know is that I turn 55 today; my loving
Dad passed away in 1972, three months short of his 56th birthday. So I figure if
I beat that, I'm good for another 55. Right now, I count my blessings that my
eyes open every morning. I count my blessings for the passion of my work and for
the love and support of my family and my friends. Cheers to a life worth living.
For that reason alone, indeed, I shall "row
well, and live." Even if I do get a little "Psycho"
now and then; it keeps life interesting!
Posted by chris at 12:06 AM | Permalink |
Posted to Blog
/ Personal Business | Film
/ TV / Theater Review | Music
Song of the Day #1226
Song of the Day: Some
Like It Hot ("I'm Through with Love") is a 1931
gem with music by Matty
Malnek (a long-time family friend back in the day) and Joseph
"Fud" Livingston, lyrics by Gus
Kahn, but it was popularized by Marilyn
Monroe, who was terrific in this Billy
Wilder 1959
classic comedy. The film featured Tony
Curtis and Jack
Lemmon running around in drag, to escape the Mob, for having
witnessed the Saint
Valentine's Day Massacre (speaking of Valentine's
Day!). The mobster, "Spats"
Colombo, is played to the hilt by George
Raft. It is just one of the funniest comedies to have ever been
committed to celluloid (#1
on the AFI list). This song is delivered with memorable heartbreak
by Marilyn [YouTube
film link].
Posted by chris at 01:03 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1225
Song of the Day: Help!
("Ticket to Ride"), music and lyrics by John
Lennon and Paul McCartney, was recorded
50 years ago on this date. It was released in April of that year, and
is actually the first single from the Beatles's comic odyssey, "Help!."
The Golden
Anniversary of the film and the music in it gives us an opportunity
to celebrate, once again, the impact of the
Beatles on pop music. Check out the #1 Billboard hit on YouTube (and
check out a live
version of the title
track from the film). I know the wonderful "A
Hard Day's Night" (1964), is considered the greater artistic
achievement, but "Help!"
was, in my view, just a more fun film to watch (with little nods to the cultural
phenomena of the day, including Bond, James
Bond).
Posted by chris at 01:20 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1224
Song of the Day: The
Caddy ("That's Amore"), music by Harry
Warren, lyrics by Jack
Brooks, is the Oscar-nominated
song from this 1953
Dean Martin-Jerry Lewis comedy. The song is a Dean
Martin signature tune. Here is the
scene from the film and the
classic Dean Martin recording [YouTube links]. And what better way to
say "Happy
Valentine's Day," than with "That's
Amore."
Posted by chris at 09:57 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1223
Song of the Day: Random
Harvest ("Opening Title") [Screen Archives Entertainment link],
composed by Herbert
Stothart, opens a gorgeously romantic love story, perfect on the eve
of Valentine's
Day. The 1942
film starred Ronald
Colman and Greer
Garson. Stothart won
an Oscar for his Original
Score for "The
Wizard of Oz," and received an Oscar nomination for this score. If
the ending of this film doesn't leave you with a lump in your throat, you've
lost that lovin' feelin'.
Posted by chris at 10:05 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1222
Song of the Day: Hello,
Frisco, Hello ("You'll Never Know"), music by Harry
Warren, lyrics by Mack
Gordon, was introduced in the 1943
film by Alice
Faye, but it has had many memorable renditions, including those of Frank
Sinatra, Dick
Haymes, Rosemary
Clooney with the great trumpeter Harry James, Shirley
Bassey, and was the
first song ever recorded by Babs [YouTube links]. This standard from
the Great
American SongbName
Song of the Day #1221
Song of the Day: The
Best Years of Our Lives ("Main Title") [YouTube link] is featured in
the Oscar-winning
Score (of a Dramatic or Comedy Picture) composed by Hugo
Friedhofer. The 1946
"Best Picture" showed us some of the horrific, lingering physical and
psychological effects of war (even so-called "good wars") on those who survive
it. Best
Director William Wyler took home one of seven competitive gold
statuettes won by this superb film (the producer, Samuel
Goldwyn, also won the Irving
Thalberg award and another individual also received an honorary
award---more on that in a moment). A deserved Oscar went to Best
Actor Frederic March (though Dana
Andrews, Myrna
Loy, and Teresa
Wright are all equally wonderful in their roles). The Best
Supporting Actor, Harold
Russell, also received an honorary award for "bringing hope and
courage to his fellow veterans." Russell had lost both hands in World War II,
and got along just fine with two hooks. One
philosopher from whose work I have learned much, apparently despised this
film and "It's
a Wonderful Life" (for shame!), because it had subliminal pink
propaganda (like references to bankers "with a heart," etc.). I could write a
few articles about how far she missed the mark (like I did for "A
Christmas Carol" and "Ben-Hur"),
but, suffice it to say, sometimes you can appreciate works of art on many
different levels, even if some mixed premises ooze into the script. This film
came out a year after the end of the most horrific war in human history, one
that this particular philosopher opposed. But there's a reason the American
public responded to the film. The struggles of its survivng veterans were
palpable and resonated with its war weary audience. One of the aspects of this
film that got well deserved recognition was Friedhofer's
soundtrack. And for that, Bravo, Maestro!
Posted by chris at 12:20 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music | Rand
Studies
Song of the Day #1220
Song of the Day: Notorious
("Main Title") [YouTube link], composed by Roy
Webb, opens this 1946
suspense film with a lovely romantic theme with ominous undertones.
This was the second collaboration of two cinematic giants: Director Alfred
Hitchcock and Actor Cary
Grant, who share the distinction of never having won an Oscar in a
competitive category. They did receive honorary Oscars at the end of their
careers (for which Hitchcock said
at the podium, "Thank
you"). It is said that Grant swore
never to make another film with Hitchcock after
"Suspicion"
(1941), but this second collaboration, which co-starred the wonderful Ingrid
Bergman, is a classic stomach churner. Bergman starred
previously in Hitchcock's "Spellbound"
(1945) and with her other "Notorious"
co-star, Claude
Rains, in "Casablanca"
back in 1942. Like "Casablanca,"
this film has its share of villainous Nazis. Grant
and Hitchcock would go on to make two additional films together: "To
Catch a Thief," and my favorite one of all: "North
by Northwest." "Charade"
could be mistaken for a Grant-Hitchcock
collaboration, but alas, it wasn't (though it's often referenced as
"the best Hitchcock film Hitchcock never made").
Posted by chris at 12:25 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1219
Song of the Day: Anatomy
of a Murder ("Flirtibird") [YouTube link], composed by jazz legend Duke
Ellington, captures the salacious, scandalous themes explored in this
superb 1959 courtroom drama, starring a wonderful cast that
included Jimmy
Stewart, Lee
Remick, Ben
Gazzara, and George
C. Scott. Seductive and sexually charged, this track was also
recorded by the great Duke,
featuring his cornet player Ray
Nance (who could also play a mean jazz violin). Check it out on YouTube.
Posted by chris at 12:47 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1218
Song of the Day: Rocky
("Gonna Fly Now") was composed by Bill
Conti, with lyrics by Carol
Collins and Ayn Robbins, and was performed on the soundtrack album
with vocalists DeEtta
Little and Nelson Pigford. The song defined a series of films tracing the boxing adventures of Rocky
Balboa (played by Sylvester
Stallone) and in American popular culture, it has become a song
celebrating the champion character of the underdog. Indeed, it hit
#1 on the Billboard Hot 100 the week of July 2, 1977, a
virtual theme signifying the victory of the American underdog against the
British Empire, which culminated in a Declaration
of Independence on July 4th (Stallone himself was born on July
6th). Indeed, "Rocky" became the little "underdog" picture that
could: It was 1977's Best
Picture of the Year, though Conti lost
in the Best
Original Song Oscar category (he also lost in the Scoring
ctegory to "Star Wars" composer John Williams, at the 20th Annual Grammy Awards).
Check out the Grammy
Awards tonight, and check out the Conti
single [YouTube link] as well as a terrific rendition by the big band
of Maynard
Ferguson [YouTube link], a trumpeter whose high notes have sometimes
challenged the superior hearing of dogs. But this human thinks the Rocky track
Rocks!
Posted by chris at 02:24 AM | Permalink |
Posted to Culture | Film
/ TV / Theater Review | Music
Song of the Day #1217
Song of the Day: My
Cousin Vinny ("Bible Belt") was written and performed by Travis
Tritt over the end credits to this utterly hilarious 1992
film, with wonderful performances by Joe
Pesci, and Best
Supporting Actress Oscar-winner MarisaTomei,
who nailed it perfectly: she is the quintessential cinematic cuginette.
Maybe only genuine Brooklynites can truly appreciate all the in-jokes and
hilarity of the Brooklynese on
display in this comedic classic. The original version of this song appeared on
Tritt's 1991 album, "It's
All About to Change," with different
lyrics; check out the
original here (featuring Little Feat) [YouTube link]. But Tritt
actually re-wrote the lyrics specifically for this film and those lyrics fully
encapsulate the film's plot and theme. Check it out on YouTube.
Posted by chris at 12:44 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1216
Song of the Day: Hotel
("Jeanne and Pete") [YouTube link], composed by Johnny
Keating, is a lush trombone-led instrumental ballad from one of the
finest jazz-influenced scores of the 1960s (I've already highlighted two other tunes
in previous years from the 1967
film).
Posted by chris at 12:02 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1215
Song of the Day: The
Amazing Spider-Man 2 ("It's On Again") was composed by Alicia
Keys and Kendrick
Lamar, with
a little help from Pharrell Williams, all in collaboration with Hans
Zimmer, who scored this second
film, released in 2014, in the Andrew
Garfield reboot of one of my favorite superheroes. I mean he's not
from Gotham
City or Metropolis, pale copies of the real New York! He's from Forest
Hills, Queens! Check it out on YouTube.
Posted by chris at 11:17 PM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1214
Song of the Day: Blues
in the Night ("Blues in the Night"), music by Harold
Arlen, lyrics by Johnny
Mercer, earned
its place in the Great American Songbook. The title track of the 1941
film (the film's working title was actually "Hot Nocturne"), it was
nominated for a Best
Song Oscar, but lost to "The
Last Time I Saw Paris" (from "Lady
Be Good"). The song was delivered on film by William
Gillespie (YouTube link), but there have been so many superb versions
of this trailblazing American song; check out renditions by Ella
Fitzgerald, Woody
Herman, Jimmie
Lunceford, Artie
Shaw (with Hot Lips Page on vocals), Rosemary
Clooney, Jo
Stafford, Benny
Goodman and Peggy Lee, an ambitious Mel
Torme-Buddy Rich collaboration, Quincy
Jones (whose version is heard in the 2001 film version of "Ocean's
Eleven"), and there's even a take on the song by jazz-rock
fusion band Chicago [all YouTube links]. Talk about a
cross-generational impact. This one's a keeper.
Posted by chris at 12:25 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1213
Song of the Day: Erin
Brockovich ("Useless") [YouTube link] is a composition by Thomas
Newman of the very famous Newman Dynasty. He is the youngest son of
the immortal Alfred
Newman, one of the greatest film score composers from the Golden Age
of Hollywood. That dynasty also includes brother David,
uncles Lionel and Emil,
cousin Randy,
and nephew Joey.
Despite 12 Oscar nominations, Thomas
Newman has yet to win a golden statuette; but his minimalist score
for the 2000 film "Erin
Brockovich" is one of his best. The film features a superb Best
Actress Oscar-winning performance by the irrepressible Julia
Roberts in the title role.
<
Posted by chris at 02:00 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1212
Song of the Day: Ocean's
Eleven ("Title Sequence") [YouTube link], composed by Nelson
Riddle and designed by Saul
Bass, is a swinging affair for the chicest of chic Rat
Pack films, starring Frank
Sinatra, Dean
Martin, Sammy
Davis, Jr., Joey
Bishop, Peter
Lawford, Angie
Dickinson, and so many other wonderful performers who hit the Vegas
Strip for the ultimate scam. But the real question is if those Groundhogs are
scamming us, because it looks like it's going to be a long winter up here in the
Northern hemisphere. Thank goodness we're kept warm by this hot and fiery Nelson
Riddle chart from the
original (and best) 1960 version of the film.
Posted by chris at 08:28 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music
Song of the Day #1211
Song of the Day: Sunday
in New York ("On Frantic Fifth") [YouTube link], music by the very
jazzy Brooklyn-born Peter
Nero, gets Our Annual Film Music February Off To A Flying Start. Nero even
appears in the 1963
film showing off his piano chops. This cue captures some of the
frenzy one might find even on a beautiful "Sunday
in New York." I featured the title track to this film back
in 2005, the year I kicked off my tribute to cinema music (though not
with a link to the Mel
Torme-performed song that can be heard in the opening credits or Joe
Pass on 12-string guitar [YouTube links]). So stay with us right up
to 22
February 2015, the night that the Academy
of Motion Picture Arts and Sciences awards achievement in scoring and
song. And if you're anywhere near the greatest city on earth, enjoy your Super
Bowl Sunday in New
York.
Posted by chris at 12:01 AM | Permalink |
Posted to Film
/ TV / Theater Review | Music | Sports