I could not resist posting this photo, since this has
been our first Christmas with our
new cat and most beloved family member, Cali, who just turned 1 on
June 21, 2018. Here she is on her Christmas comforter and we look forward to
many more Christmas holidays to come!
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Posted to Blog
/ Personal Business | Frivolity
Song of the Day: Christmas
Swing [YouTube link], composed by Django
Reinhardt, was recorded by the Quintet
of the Hot Club of France, with the immortal Django on
guitar and the legendary Stephane
Grappelli on violin. You can swing your way into Christmas
Day, watching
Santa make all his stops on NORAD, in
keeping with the situation [Yarn clip]. A very Merry
Christmas, with peace on earth, and good will to one and all.
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Posted to Culture | Music | Religion | Remembrance
Whatever one's views of Trump's overall politics, the
real question, at least with regard to foreign policy remains: Will he stick
firmly to his commitment to start bringing U.S. troops home---now that he has
raised the possibility of withdrawing U.S. troops from Syria over the next 30
days? This was one of the only issues on which I believed that candidate Trump
raised legitimate concerns about the extent to which the U.S., which indeed has
not been "so
innocent," could sustain its un-ending commitment to "perpetual war
for perpetual peace."
Of course, even if Trump pulled all U.S. troops out of
the Middle East, the National Security State, with its infringements on our
civil liberties at home and its destabilizing influence abroad, will remain
unscathed. Still, though I've heavily
criticized Trump on many issues [and folks like Patrick
Buchanan], at the very least, let this start a national dialogue on
the problems inherent in U.S. foreign policy.
The neocons within the Democratic Party and the
Republican Party would have you believe that it is possible to engage in
democratic "nation-building"; if the last seventeen years has taught us
anything, it is that no "democracy" can be imposed from without on countries
that don't even have a concept of individual rights, let alone "democracy."
Postscript: Here's another interesting take on the
character of U.S. foreign policy in the Middle East (hat tip to Ryan Neugebauer
for alerting me to this article by Andrew Sullivan): "The
Establishment will Never Say No to War."
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Posted to Culture | Dialectics | Foreign
Policy | Politics
(Theory, History, Now)
In the news:
President Donald Trump thinks that "Saturday
Night Live" is colluding with the Democratic Party in its ongoing
skits that "defame and belittle" him and he thinks that the show should be taken
to court! Good luck with that! Not even the Rehnquist court (in an 8-0 decision)
would interfere with public parodies of Jerry Falwell that appeared in Hustler magazine!
I've been watching SNL since it began, and not a
single President has been spared its parodies. In fact, prior to Trump, I could
think of no President who caught more heat or hilarity than Bill Clinton, who,
last time I checked, was still a registered Democrat. Do people forget those
unbelievable skits with Phil
Hartman or, even more biting, those of Darrell
Hammond, impersonating our "feel your pain" President biting his lip
as he apologized to the nation for his
upcoming impeachment trial? Or those absolutely classic John
Goodman skits portraying Linda Tripp during the whole Monica Lewinsky debacle?
Not even Obamacare was spared; indeed, SNL's spoof of the Obamacare
website fiasco was noted as far
closer to fact than hilarious fiction.
So my message to The Don: Lighten up!
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Posted to Film
/ TV / Theater Review | Politics
(Theory, History, Now)
Song of the Day: Guess
Who I Saw Today, music by Murray
Grand, lyrics by Elisse
Boyd, was originally written for "New
Faces of 1952," a Broadway musical revue by Leonard
Sillman, and sung by June
Carroll [YouTube link]. The song was later recorded in 1957 by both Carmen
McRae and Eydie
Gorme [YouTube links]. But it became a signature tune for jazz song
stylist Nancy
Wilson, who recorded the song for her second album, "Something
Wonderful," released in 1960. I learned today that Nancy
Wilson passed
away yesterday at the age
of 81 after a long illness. One of my all-time favorite singers,
whose music filled the air of my youth, Nancy
Wilson was one of those singers with a truly distinctive style. Check
out the
album version of this song, with its Billy May arrangement, as well
as two live presentations, which combine her singular interpretive style with an
understanding of both the comedic and dramatic elements of performance:
a 1987
Newport Jazz Festival appearance and a 1994
concert (with a tip of the hat to "Miss Otis Regrets") [YouTube
links]. RIP, Nancy.
You will be greatly missed.
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Posted to Music | Remembrance
Song of the Day: Ain't
She Sweet, music by Milton
Ager, lyrics by Jack
Yellen, was published
in 1927 and became a Tin
Pan Alley standard. In 1962, it was recorded by Frank
Sinatra for a Neal
Hefti-conducted album, "Sinatra
and Swingin' Brass." For those who remember my Frank
Sinatra Centenary Tribute, today marks the 103rd
anniversary of Sinatra's birth. Check out this
wonderful rendition of a timeless classic [YouTube link].
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Posted to Music | Remembrance
Song of the Day: Psycho
("Main Title"), composed by Bernard
Herrmann, is heard over the opening credits to the
1960 classic Alfred Hitchcock thriller. This is just a little
precursor of what is to come in our fifteenth annual Film Music February, which
celebrates songs, cues, and other music heard in the movies---en route to the
Oscar broadcast on February 24, 2019. I post this entry today, however, for two
reasons: First, it comes from a film that was featured in my very
first Film Music February tribute (which highlighted the "Murder"
that occurs in the
famous shower scene). Second, for film fans who might remember, this
is the exact time and date on which the action of this film begins: at 2:43
p.m. on December 11th (a Friday in the film, a Tuesday this year). A classic
Herrmann score for a classic
Hitchcock film. And tune in to Notablog for the 2019 Film Music
February tribute!
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Posted to Film
/ TV / Theater Review | Music
Song of the Day: Young
Man with a Horn ("Get Happy"), music by Harold
Arlen, lyrics by Ted
Koehler, was introduced by Ruth
Etting in the 1930 Broadway musical "The
Nine-Fifteen Revue." It was performed by Kirk
Douglas (dubbed by the great Harry
James), who turns
102 today, in this 1950
film, based on the novel by Dororthy
Baker, and inspired by the life of jazz cornetist Bix
Beiderbecke. Check out the
film clip (with the legendary Hoagy
Carmichael on piano) and vocal versions from Judy
Garland (from the 1950 film "Summer
Stock") and Ella
Fitzgerald. [YouTube links]. And a Happy
Birthday to one of the greats!
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Posted to Music | Remembrance
A couple of fun-loving Facebook friends have put up a
Facebook page of "Chris
Sciabarra Memes for Dialectical Teens." Follow the frivolity of this
page, as I am following it. I have no clue what to expect, but indeed, it is
"Just for Fun."
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Posted to Dialectics | Frivolity
Song of the Day: Change features
the words and music of Johan
Carlsson, Ross
Golan, and Charlie
Puth, who turns 27 today. The moment I heard the opening chords of
the song, without even looking at the track listing off of "Voicenotes,"
Puth's second studio album, I thought to myself that it sounded like a James
Taylor song. And sure enough, Puth
duets with Taylor on this song. I celebrated Puth's
music this past summer, and anyone
in pop music who can incorporate a Bill Evans chordal phrase into his
compositions [YouTube link] has earned his way into my musical heart.
Check out the
album version with Taylor, Puth's
live concert performance with acoustic guitar accompaniment (at 37
minutes in), and his
live March for Our Lives performance [YouTube links].